This is the last thing the caterpillar hears after the final thread of the cocoon is woven into place when everything except the soul is dissolved, a time before butterfly wings...
Favorite track: Éther.
Zaumne's new album titled Élévation is a multifaceted yet subtle work, an abstract collage that is equally entrancing and immersive. Quoting passages from Baudelaire’s “Flowers of Evil”, the Polish musician promises to elevate the soul and consciousness “Beyond the sun / Beyond the ether”. Yet simultaneously, the artist wants us to stay where we are and focus on the immediate surroundings in search of our personal attachment to the world.
Initially recorded for the WET (Weird Erotic Tension) online community the four pieces are an exploration of erotic aspects of the environment and uncanny intimacy with other beings and objects that dwell in our nearest proximity. Just like on previous releases for labels like Czaszka Rec. or Perfect Aesthetics, on Élévation Zaumne maintains his interest in emotional aspects of sound and internet culture – he builds his compositions from fragments of ASMR-whispered poetry, samples of natural phenomena and field recordings from his family home and its environ.
What starts as an escapist exercise driven by uneasiness and ennui becomes an individual healing process, in which the subject rediscovers the strangely intimate relationship with the world and opens up to almost magical methods of communicating with other beings. ASMR samples and sounds of the artist touching, playing with and exciting different objects are an experiment in establishing contact with the non-human realm and a method of attuning the body and the mind to the reality in which everything is interconnected.
Zaumne tests Einstein’s “spooky action at a distance” through radical, sensual intimacy with what’s near, finding a glimpse of the absolute in his own room, again quoting Baudelaire: “To a child who is fond of maps and engravings / The universe is the size of his immense hunger”.
Words by Jakub Depczyński
released April 16, 2021
Music and cover photograph by Zaumne
Mastered by Stephan Mathieu at Schwebung Mastering
Lacquer cut by Kitaro Beeh at Schnittstelle Berlin
absentmindedly listening to “far away” while being semi-lost in Manhattan, the saxophone titularly a bit “far away” sounding. It’s best at sunset and it makes everything feel okay. I truly don’t know how Ulla makes it feel this effortless Pinson